Sunday, March 17th 2013
‘Venus’ Ball Gown
Christian Dior
1949
This extraordinary ball gown by Christian Dior, of foggy gray silk tulle, arrayed with an overlay of scallop-shaped petals, is called “Venus.” The bodice and shell forms of its skirt are embellished with nacreous paillettes and sequins, iridescent seed beads, aurora-borealis crystals, and pearls. The glittering overskirt and train adumbrate both the seashell motif and the crescent wave patterns of Botticelli’s Venus. Dior is best known for his revival of the wasp-waisted silhouette seen here. His celebrated first collection of 1947 was dubbed the “New Look” by the influential American editor Carmel Snow, because the corseted, full-bosomed, and hourglass shaping had not been seen for decades. In fact, the “New Look” was an old look revived. After the deprivations of World War II, Dior believed that the survival of the haute couture relied on its ability to restore fantasy and luxury to women’s wardrobes. The fragile effects of this gown, which merges Second Empire romanticism with the classical iconography of ideal and eternal beauty, recall Dior’s belief that “fashion comes from a dream.”- The Metropolitan Museum of Art
(via bohemea)
Director Zal Batmanglij with Ellen Page, Brit Marling and Alexander Skarsgard at the SXSW premiere of The East, March 15th
Maisie Williams & Sophie Turner sign autographs and take pictures with fans at LAX, March 16th 2013
Adorable!
La danse du feu (Folies Bergère. 1897)_Illustr. Jules Chéret (by Performing Arts / Artes Escénicas)
(via homicidalbrunette)
