Wednesday, April 9th 2014Tweet
Yes, that’s a pearl octopus @gailsorronda #mbfwa
Lysoform Antiseptic c. 1910 (Germany) Schultz-Wettel
- Banned Posters - 1969
Anna Ilnytska photographed by Pascal Chevallier for Vanity Fair Italia (2011).
Chandelier, this painting was removed by Facebook with a warning that I should be carful or else…so I’ll be careful! 😭 #crossmyheartandhopetodie
Work in Progress. Preliminary Sketch. Graphite on Bond Paper, 5 x 7”, 2014.
The focus on eyes emphasises the overall desperation for secrets and trust that characterises both the FBI and the criminals. On close ups, having Jodie Foster look slightly off camera and all the other actors straight on, subtly highlights the fact that most of the film is from Clarice’s point of view and that others struggle to know her intimately. When she finally confides in Lecter and tells him about her childhood and the lambs, she looks straight into the camera for one of the first times [x]
Karlie Kloss shot by Hedi Slimane for Vogue Japan 2012